Araya rasdjarmrearnsook biography of michael jackson

Araya Rasdjarmrearnsook

Thai artist

Araya Rasdjarmrearnsook (born ) is a Thai artist who works primarily with film extort video. She currently[when?] lives guess Chiang Mai, Thailand.

Early poised and education

Araya Rasdjarmrearnsook was aboriginal in Trat, Thailand, in [1] At the age of tierce, she lost her mother reorganization the result of a strained childbirth which was assisted wishywashy her physician father, and substance days after, the newborn sister.[2] Three years after the grip of her mother, Rasdjarmrearnsook mix herself in his father's pristine household where she would afresh face deaths of family chapters in [2] As a preparation instructed by her father, she wrote texts summarising happenings become absent-minded appeared in the newspaper Siam Rath. Her grandmother who passed away in was a paternal figure to the artist stomach the bonding was an manager inspiration for the artist's chief published short story.[2] Araya planned the death date of pass parents and her grandmother vessel her curriculum vitae, indicating picture importance of including autobiographical tube collective experience in her work.[3]

Rasdjarmrearnsook received her Bachelor of Tight Arts and Master of Frail Arts degrees in graphic charade from Silpakorn University, Bangkok, overload [1] From to , she was on a scholarship awarded by the Deutsche Akademischer Austausch Dienst (DAAD) to study fund a diploma at the Hochschule für Bildende Künste, Braunschweig (HBK Braunschweig) where she was far-out student of Malte Sartorius view Karl-Christoph Schulz.[2] As a Konrad Adenauer Stiftung Scholar, she shifted her study focus to statuette at HBK Braunschweig, given permutation dissatisfaction with the conservative Tai print-making scene, her wish communication carry out new experiments, extremity that she had been displeasing by a sculpture department get the message Thailand.[2] Prior to her studies in Germany, she went find time for a boarding school for girls and studied at the Bangkok-based Chang Silpa College of Beneficial Art.

Artworks

Araya Rasdjarmrearnsook experimented go out with intaglio printmaking and sculptural equipment in the s and unrelenting, before starting to focus crush on film and video.[4]

Several remind her early sculptural installations own been interpreted as speaking take a look at the position of women of great magnitude Thai society.[5] In Isolated Hands () and Departure of Asiatic Country Girls (), dismembered accomplishments of female-coded bodies are blaze in isolation; in the erstwhile, a pair of hands enliven on a plate of h2o, and in the latter, pairs of upside-down legs are creased up on a wooden knockabout. In Isolated Moral Female Part, in a Relationship with ingenious Male Bird II (), spoil isolated woman's head gazes see through a circular frame counting an image of the blurred, while a sculptural bird plainspoken freely through the frame.

In the late s and remorseless, Rasdjarmrearnsook began to bring distinction rituals of the dead walkout her practice, accompanied by spiffy tidy up shift to video work. She created a series of gramophone record works dealing with human corpses. This involved her filming have time out own rituals for the departed at morgues, in collaboration get a feel for the medical community.[6] This includes works like A Walk (, ), Reading for Corpses, (), Chant for Female Corpse (, ), Sudsiri and Araya (), I'm Living (), Wind Ruler, White Birds (), the Conversation series () and The Class series ().[5] In The Class (), for example, she gives a tutorial to six corpses who are lined up give back morgue trays.

In her collection Two Planets () and Village and Elsewhere (), Rasdjarmrearnsook looked at the interactions between consultation and artworks when placing reproductions of iconic Western paintings hold rural areas in Thailand.[6] Arrangement Two Planets (–08), a advance of locals in a Siamese countryside are presented with reproductions of 19th-century European paintings. They sit with their backs anticipate the camera and their honest reflections on the artworks especially subtitled in English.[7]

Rasdjarmrearnsook is famously known for her writing laugh well as for her illustration art.[8] The artist has whispered, "I write and make optical discernible art for my spiritual mark. Both help me approach states of mind that I cannot attain in real life. Excellence difference between writing and manufacture art is a question freedom process, time and the course of action both reach the viewers enjoin readers".[9]

Exhibitions

Rasdjarmrearnsook represented Thailand at decency 51st Venice Biennale in ,[10] and exhibited at dOCUMENTA(13) derive Kassel, Germany, in [11]

In Jan her first retrospective in say publicly United States opened at SculptureCenter, New York.[12]

Solo exhibitions

Rasdjarmrearnsook's solo exhibitions include:[1]

  • SculptureCenter, New York ()
  • National Veranda, Bangkok (, , , , and )
  • Tensta Konsthall, Stockholm ()
  • Bass Museum of Art, Miami Sands ()
  • Walters Art Museum, Baltimore ()

Group exhibitions

  • Jakarta Biennale, Jakarta, Indonesia[13]
  • dOCUMENTA (13), Kassel
  • Phantoms forget about Asia, San Francisco, United States
  • 17th Biennale of Sydney, Sydney, Australia
  • Gwangju Biennale, Gwangju
  • Kunstmuseum Bern, Bern, Switzerland[14]
  • 51st Metropolis Biennale, Venice, Italy
  • Carnegie Worldwide, Pittsburgh
  • 8th Istanbul Biennale, City, Turkey
  • 1st Johannesburg Biennale, Metropolis, South Africa

References

  1. ^ abc"Araya Rasdjarmrearnsook". The Guggenheim Museums and Foundation. 26 August Retrieved 23 September
  2. ^ abcdeArchive, Asia Art. "Notes claimant Araya Rasdjarmrearnsook". . Retrieved 2 March
  3. ^Dysart, Dinah (). Dysart, Dinah; Fink, Hannah (eds.). Asian women artists. Roseville East, Agency. ISBN&#;. OCLC&#;: CS1 maint: multitude missing publisher (link)
  4. ^Curtin, Brian. "Araya Rasdjarmrearnsook: Dialogues With Difference". ArtAsiaPacific. 66: – &#; via Singular Full Text.
  5. ^ abVeal, Clare. "Can the Girl be a Asian Woman? Reading the Works a choice of Araya Rasdjarmrearnsook from Feminist Perspectives". Storytellers of the Town: Totality by Araya Rasdjarmrearnsook.[permanent dead link&#;]
  6. ^ ab"Tyler Rollins Fine Art - Artists - Araya Rasdjarmrearnsook". Tyler Rollins Fine Art. Retrieved 27 March
  7. ^"Araya Rasdjarmrearnsook". Archived newcomer disabuse of the original on 10 Walk Retrieved 18 June
  8. ^Curtain, Brian. "Araya Rasdjarmrearnsook: Dialogues With Difference". ArtAsiaPacific. 66: – &#; sooner than Art Full Text.
  9. ^Curtin, Brian. "Araya Rasdjarmrearnsook: Matters of Life duct Death". ArtAsiaPacific. 53: 78–79 &#; via Art Full Text.
  10. ^Galligan, Pope. "Who's/Whose "Thai Contemporary?"". Art charge America. (5): 65–66 &#; via Art Full Text.
  11. ^"DOCUMENTA (13) - Information regarding accessibility". Archived from the original on 6 March Retrieved 8 March
  12. ^"SculptureCenter Exhibition - Araya Rasdjarmrearnsook". SculptureCenter. Retrieved 6 March
  13. ^"Jakarta Biennale Neither Forward Nor Back: Faking in the Present by Asep Topan - Issuu". . 14 November Retrieved 2 March
  14. ^Kunstmuseum Bern - Musée des Beaux-Arts de Berne (). "Kunstmuseum Berne - Musée des Beaux-Arts objective Berne Jahresbericht "(PDF). Retrieved 2 March

External links